How Did They Do Robert John Burke Makeup In Movie Thinner?
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The film: Morbidly obese and deeply unpleasant lawyer Billy Halleck (Robert John Burke) runs over an old gypsy woman with his auto, distracted by his wife Heidi (Lucinda Jenney) who is doing something rather rude to him. His ties to the local police enforcement, Judge Cary Rossington (John Horton) and Chief of Police force Duncan Hopley (Daniel von Bargen), means the case is dismissed before information technology gets to court. However, the old woman's male parent (Michael Constantine) has a dissimilar kind of justice in mind. He curses Halleck with the discussion 'thinner' and soon, Halleck begins to lose weight at a dangerous and always-increasing rate.
Thinner is one of the books written under Stephen Rex'southward pseudonym Richard Bachman, and it has the rather dubious honour of existence the only book past King that I properly dislike. Brusque but decidedly not sweet, there's a viciousness toThinner that feels unusual to King and makes the reading experience discomforting beyond the usual horror chills. Its chief problem is that each of the cursed characters are odious and, inside the context of the novel, deserve the fate that is meted out to them. This ways that the film has to find a way to make the story'south inherent nastiness palatable enough to picket for 90 minutes.
Writer-manager Tom Holland spent 6 years and several rewrites bringing Thinnerto the large screen, 10 years afterwards super producer Dino De Laurentiis get-go thought about adapting it in the wake ofMaximum Overdrive. There's a roughness to the film where those rewrites are evident, especially in the various tonal shifts that ripple through information technology. The opening tertiary feels comically grotesque which occasionally rears dorsum up once more when the picture descends into outright horror. Sometimes information technology works, but the overall effect is jarring, as if the levity is trying to balance out the fact that Halleck is non a protagonist worth rooting for.
Thinner also struggles on a practical level. The prosthetics and fat suit used to build up Robert John Burke'southward face and frame are too obvious to exist anything other than distracting, especially in the opening scenes of the pic. Shush isn't the nearly proficient at acting through it either, gurning and broad-eyed in an attempt to convey every bit much expression equally he tin can, despite his faux double chins. Sadly, Shush doesn't go that much meliorate the thinner Billy gets. There is a lot of nether the countenance glowering in this film.
The rest of the bandage vary in quality, but there are a few highlights in there. Constantine is disturbingly effective every bit Tadzu Lemke, the bestower of the curse, and he snarls his way through his scenes with obvious bask. Daniel von Bargen makes the most of his big scene in which his graphic symbol'southward curse, disfiguring acne, is revealed by dialling upwardly his song performance to something desperate and sinister.
More often than not though, the film doesn't manage to reconcile the nasty elements of the book, making for an unpleasant viewing experience that fails to do much with the solid concept at the narrative's center. Billy Halleck is the enormous apotheosis of white privilege, his connections allowing him to constantly escape the consequences of his actions. His clash with the gypsies could be weighty with social subtext and, with a smoother arroyo to the fabric, might take been an interesting exploration of retribution and outcome. Nonetheless the film never actually mines the concept for its potential, nor does it attempt to make Baton any more sympathetic as he grows increasingly drastic.
The overall outcome is that it leaves the film feeling pretty, well, thin. The catastrophe, altered from the volume after unfavourable preview responses, reveals that Billy hasn't really learned annihilation from his experience either. His vindictiveness but finds a new outlet and for what is essentially a morality tale, this makes for a dissatisfying feel.
Scariest moment: There are few outright scares here, only Holland does manage to create a sense of queasiness throughout the movie, sometimes intentional, sometimes not. There'south a slap-up moment of quiet horror in the final moments though when Baton realises that his daughter has eaten the strawberry pie that dooms her to death.
Musicality: Daniel Licht was aChildren Of The Cornscore veteran by the fourth dimension he got to Thinner. In that location's not much of the bombast that he produced forUrban Harvest, but the score hither is nicely creepy and provides an atmospheric undercurrent to the proceedings.
A Rex thing: Retribution. There is ofttimes a sense of penalisation involved for the more dubious characters throughout King'due south piece of work, specially if they're really awful and deserving of a comeuppance. His drove of 4 novellas,Full Dark No Stars, deals with this theme of retribution.
Bring together me next time, Abiding Reader, for The Night Flier.
Source: https://www.denofgeek.com/movies/revisiting-the-film-of-stephen-kings-thinner/
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